I have always believed that there is no greater cinematic visual than an actor performing in a tight close-up. The faces of the three Bachchan’s in Sarkar Raj are the ultimate testimony of that.
Ram Gopal Verma in his new blog.
I have to agree with RGV on that. Some of the best movies (Godfather, Usual Suspects etc) bore the power of pieces of excellent performances in close-ups.
Notes